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Review: His Dark Assassins Series

17 Dec

I love historical fiction, but a common problem that I find is that the author rewrites history to suit our modern sensibilities, giving characters modern thoughts or behaving in ways inappropriate to their historical context. This is especially tricky when trying to write strong female characters; how do you create awesome, strong female characters which still fit in the context of their times? I am in no way saying that there were not strong females throughout history, but understanding their strength often requires some social context of the times, which can be a lot to cram into a novel.

This issue can be resolved by impressive writers, but there is yet another solution! Alternate histories offer the best of both worlds; a rich historical background (to the extent that it serves the story), and the flexibility to create culture as one would in a fantasy world. This means the author can pick and choose what they want to use in their world, which can create a fantastic yarn without the worries of accurately portraying the social context.

The first two books of Robin LaFevers’ His Fair Assassins trilogy uses this genre to its best possible use, using the backdrop of 15th century Brittany (more or less keeping the political history and adding some interesting religion twists) for her story of empowered female assassins. I’ll give a brief rundown of the two books that are out so far, Grave Mercy and Dark TriumphMild Spoilers Ahead.

url Grave Mercy- First off, let me do my obligatory whine about the asinine Pretty White Girl cover art. Ugh. Why. Why. The art turned me off of the book right away, but I am so grateful that I got past the cover and kept reading, because LaFevers’ writing is gripping and lovely. She immediately plunges us into the world and mind of Ismae, who begins as a turnip farmer’s daughter doomed to be married off to a lecherous man. She is soon sent to a convent where daughters of Mortaine (aka Death Himself) train to become assassins. As one of his daughters, Ismae can see marks on people that Mortaine has chosen for death, and she carries out his will. This soon plunges her into a political intrigue involving a 12-year-old duchess inheriting a duchy of Brittany (which is historically-based), and into an unexpected romance. Ismae also begins questioning the motives of the convent where she trained after she sees Mortaine and finds a whole new understanding of her destiny. In the end she chooses to use death and the freeing of the soul as an act of mercy to those suffering, instead of as vengeance, a clear departure from how she was trained. This plants the idea that institutions can veer away from their original intent, and also demonstrates how groups that seem good can still be flawed or make wrong decisions.

url-1Dark Triumph continues this theme, and it follows a completely different character from Grave Mercy‘s Ismae. Sybella was also convent-trained, but her similarities to Ismae end there. When we readers are first introduced to Sybella’s thoughts, she is a dark-minded and very troubled woman, wishing for death. Whereas Ismae did her assassinations as duties, Sybella loves seeking vengeance. Throughout the book we learn why she is so troubled and cynical; she is raised by a monstrous nobleman, sought after by an incestuous brother, and has seen terrible death and gone through loss and pain. She is more blatantly rebellious against the convent than Ismae is in the first novel, and as the political plot of the young duchess continues to unfold, Sybella begins to heal and starts a romance with Beast, the ugly, strong warrior who also appeared in the first book. They’re oddly perfect together, and it’s refreshing to see two books in a series that approach romance so well, and yet so differently from each other. The growth that Sybella goes through from beginning to end is organic and realistic, and the ending will make the reader be scrambling for the third book, which will feature yet another of Mortaine’s daughters.

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Review: The Lost Girl

29 Sep

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Sangu Mandanna tells a compelling science fiction tale in The Lost Girl. Amarra is an echo, a being created to replace a real human if that human ever dies. Because of this, she has no life of her own and is regarded as an abomination by many. Amarra the echo has to read the same subjects, eat the same things, and have the same experiences as the real Amarra, a girl living in India.

The echo takes some self-agency, however, rebelling against her constricted life and choosing a name of her own, Eva. When she is sent from London to replace Amarra, however, things become much more complicated.

The Lost Girl has some clever references to Frankenstein, and grapples with some of the same questions Mary Shelley’s classic asks: What does it mean to be human? If man creates a living being, is it an abomination or a miracle? How do humans react to something or someone who is different or other?

This book is far from ponderous, however. The plot moves quickly and Eva proves to be a likeable and resourceful heroine who struggles for her future. And, yes, there is the obligatory love story. Eva is supposed to love Amarra’s boyfriend Ray, but she’s already started to develop forbidden feelings for her tutor in London. The story handles this romance believably and touchingly, however, and it never overrides the main plot. Original, emotional, and tightly-written, The Lost Girl has appeal for science fiction fans and for those less familiar with the genre. Recommended, particularly for grades 8-11.